7 Khoon Maaf: Music Review: Saat Khoon Maaf

Vishal Bhardwaj is here again.

Well, Darling, the Russian connection of Vishal Bhardwaj is definitely a well composed, well sung piece and similarities as well as differences from Kalinka are quite beautifully done. While Vishal gets the music catchy and haunting, Rekha Bharadwaj sings the song once again with a new touch to her voice. But the voice that gets it the best there is that of Usha Uthup. Kudos to Vishal for using her voice with such precision. The last word on the song: Daaaarrrrrling…

Bekaraan hain bekaraan, aankhein band keeje na, doobne lage hain hum, saans lene deeje na. Well, if I tell you that the song is sung by Vishal Bhardwaj, you’d probably be able to even guess the tune. I mean, so very predictable, and predictably lovely and beautiful too.

Vishal Bhardwaj is back. From the days of Paanch. Yeah, Vishal gets KK back after years, and for something similar. KK rocks in this one, and though Vishal rocks, the slight negative is that like other songs of the album, you have something to compare with it already. This time I was thinking about Sar jhuka khuda hoon main while listening to the song. But then, khuda hoon main didn’t have Gulzar. The lines here are just awesome in some places. Like Gulzar. After all, he can rock too.

Awaara Awaara Awaara. Master Salim sings this one for Vishal and comes up with one of the best things of the album. The music, the words, and the depth in Saleem’s voice go along, making it an experience worth experiencing. Interestingly while the song reminds me of albela sajan ghar aayo re, it also reminds me of Naina and Rahat Fateh Ali Khan. And the greatness of the two songs is proof enough to how good the song would be. Na shaakh jude, na jad pakde, mausam mausam banjara.. aawara awara awaara.

The next in the album comes Suresh Wadkar’s solo Tere Liye. The six minute song is definitely a piece of poetry more than a song. Quite typical, but anybody who listens to the song probably knows in advance what it’s gonna be and expects it to be precisely what it is. Humne to parindon se, baagon ke saude kiye, tere liye. Yes. It’s all Gulzar.

Dil dil hai dil dil hai dil hai dil, Suraj Jagan, and Rock. Well, Vishal Bhardwaj completely goes into Paanch mode with raw rock as he composes dil dil hai. I won’t say it’s similar to any song, but just reminds me that if an average composer can compose in N genres Vishal Bhardwaj can do it in N square.

Rekha’s Yeshu is definitely NOT what I was expecting it to be. A prayer, that somehow doesn’t sound that heartfelt, and somehow gets a bit boring too, but then the song sounds fine, and maybe even good for the times when you actually want to listen to it.

The next in the album is Doosri Darling, which comes up with the original darling, that is Kalinka-Kalinka-Malinka-Moya. In case you don’t yet know, the song Darling is based on a Russian folkish song of 1860s, Kalinka. Actually this is the one you have been listening to in the promos.

Overall, Vishal Bhardwaj is as good as ever in 7 Khoon Maaf, but then, a little disappointment comes from the fact that there is nothing as new as was there in Ishqiya, or even Kaminey. Still, there is quality, and this time, some quantity too.

Oh, did you notice there is no Sukhwinder Singh in a Vishal Bharadwaj album, after years?

Khelein Hum Jee Jaan Sey: Music Review

Khelein Hum Jee jaan Sey starts with a blow. The composer of What’s your Raashee and now this, Sohail Sen, comes up to sing the first song, Yeh Des Hai Mera, himself. The good thing about the song is that the words in the song are quite good, and music is beautiful, while Sohail has done quite effective work on his voice, though quite a lot of it seems done with the machines out there. Still, the song is lovely. Nice to have a patriotic-positive song with some soft music at the time when even romantic songs are moving towards rock. Do listen to this.

The next song, Nain Tere, sung by Pamela Jain and Ranjini Jose, is something traditional, that tries to sound a bit like Lagaan’s O ri Chhori, but since the song doesn’t have a male voice, it doesn’t quite go that way, keeping the song a bit different. The traditional style of music is good but the attention it requires will be available to the song is doubtful. Like it.
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