Zanjeer Music Review

The opening song of the album, Chirantan Bhatt’s Hum Hain Mumbai ke Hero is an addictive tune. But the lyrics of the song are so bad that using Amitabh Bachchan and Pran’s voices in the same song sounds bad to the legends. Anyway, Mika’s singing in the song is better than Priyanka’s acting, who, as pointed in a GIF, gets almost …

See the GIF on next page. Or if you think Priyanka might be NSFW, well, skip to Page 3.

Dabangg 2: Music Review [Sajid-Wajid]

Dabangg 2 seems to be beginning where Dabangg ended. Don’t know how much of Abhinav Kashyap’s magic is going to be there with Arbaaz, but at least music seems to tell you very clearly that it’s nothing other than Dabangg 2.

Dagabaaz re, the first song of the album is almost an extension of Tere mast mast do nain, though doesn’t go that high on notes. However, the combination of Salman, Sajid-Wajid and Rahat, and even Shreya, keeps things a lot in Dabangg mood. Lyrics are simple, nice, and in the mood with the music. It’s not mast-mast do nain, but the song is an okay sequel to the superhit track.

Jab Tak Hai Jaan: Music Review (A R Rahman, Gulzar)

Challa ki labhda phire.

When I heard that one, I was struck by a small shock. I was hoping that the movie shouldn’t suddenly become what became of Gulzar n Rahman’s last big thing with a big producer, the Taal guy, Subhash Ghai. n the movie was Yuvvraaj.

The good part is that it’s not that bad. The bad part, it’s not a Rockstar.

Well, so you all have heard the song, and must know by now how SRK taking on Rabbi’s voice looks strange, despite the good song and an otherwise ok video. And yes, the interlude of this song reminded me of Yuvvraaj too, when I heard it first. Bad omens?

Anyway, the second song Saans had Mohit Chauhan and Shreya, and turned out to be good. A little touch of Tum Ho maybe, but the slow, romantic song is nice, and Gulzar’s lyrics are touching, though they don’t so much sound like a free flowing Gulzar. Still, worth listening to.

Ishq Shava. Well, I have some hopes from this song. Ask me why. Because on the first listen, the song sounds like a disaster, and after listening to it for a few times, it’s getting better. So this may be one of those Rahman songs that get stuck, though after their time when they’re considered a failure. Btw, the arrangements are nice, and Gulzar is a little in his ‘touch’ in some lines, for sure. Could be better, but whatever it is, give it some time.

Harshdeep Kaur’s Heer comes next, and that’s a lovely one again. Nice one, with a lot of Punjabi in there. The biggest thing about the song is its naturality, as neither music, nor lyrics sound at all forced. And Harshdeep is equally natural. So that’s one for you, especially if you love Punjabi.

Jiya Jiya re. Doesn’t sound like one from a Yash Chopra’s movie, but this one is nice nonetheless. Gulzar’s lyrics get a little different, slight rock feel here, and the result is not bad. Tells me Neeti Mohan is an underrated singer actually. Good again.

And here is the best of the movie. The title song.

Yes, I am liking the songs of the movie, but this is the one that I expect from Yash-Rahman-Gulzar. Javed Ali sings this one with Shakthisree Gopalan, a known name in Chennai for her rock, but heard little otherwise. And what do I say for the song, it goes right from some rocky feel to downright dholak. This is that This-is-it-Perfect-Blockbuster one. Okay, maybe I am saying too much. Do listen.

Saans reprise, sung by Shreya, is a small one, that would most probably come at the end of the movie. Short and slow, the song somehow touched me more than the original version. Good one.

The instrumental, Ishq Dance, sounded un-great, simple. And then there was Shahrukh’s recitation of a little-too-hyped poem of Aditya Chopra. Nice recitation though.

Overall, the trio of the greatest lyricist and musician of India with one great director comes out okay, but this is not what was expected of them. Hope things get a little better. But somehow I feel disappointed one year after Rockstar.

(All Links point to Lyrics with Translations. You can check All translated Lyrics HERE)

Heroine: Music Review (Salim-Sulaiman)

If you had suddenly got some big hopes from Salim-Sulaiman like I did, this might be a disappointment for you.

Yes, Salim-Sulaiman seem to have got the best of their creativity in Halkat Jawani itself. Even though Heroine is not exactly something to discard and has a few good things, Salim-Sulaiman are finally looking like a spent force and probably not looking for a comeback.

With that negative note, let me start a review that I hope is not biased against them.

And so, let’s begin with Khwahishen, which is probably the best song of the album. A ‘new’ (all terms are relative) song from Salim-Sulaiman, sung by Shreya Ghoshal, it’s a nice compostion with some above good lyrics. Zindagi ko dheere dheere dasti hain khwahishen is something I’d go for. Nothing special for Shreya as such, but she anyway sings it well. Worth listening to, at least.

The next song, the last in the album (but not in the review) is Tujhpe Fida. A song that already sounds like a remixed pop number, but does sound nice. Benny Dayal is almost a default choice for the song, and Shaddha Pandit does fine here. Still, with all the arrangements in the song, cannot help feeling it lies a lot somewhere between Aadat se Majboor n Thug Le.

Halkat Jawani. Frankly, item songs in general don’t interest me much anymore. Don’t know if Mamta Munni Sharma (or excess of her voice, everywhere) is the cause, but the result is what it is. Still, Halkat Jawani was something that kinda gripped me. The composition is simple, catchy, and Sunidhi’s singing is just superb. I mean, I think to a large extent she’s the one responsible for making most of our heroines worth their ‘salt’, literally. Not saying much about the song, I liked the song and loved Sunidhi there. And yes Salim-Sulaiman, this was a nice one. Thanks for that.

Saaiyaan. Rahat Fateh Ali Khan. Yeh Hausla Kaise Ruke.

I don’t know how much, but the song is a lot of ye hausla and I could only hear Dor in the song for the first few times. Or more than a few times. So much that I wasn’t able to like the simple lyrics. Salim-Sulaiman seem to have taken re-creation a little too literally here. However, other than that, the song in itself is good. With most other songs of this type (which sound like a clone/copy), it should find its place after some time of being called a clone.

Main Heroine Hoon. You can probably guess what type of the song it would be. Something like other Madhur Bhandarkar title songs. But somehow it sounds a little more ordinary, at least in the beginning. The song should go up slowly with promotion which I suppose will be there. As for Aditi, her singing is really nice here. From the uber-softness of katra-katra, she’s reached the attitude of Main heroine hoon quite well.

So overall, even though not really make me believe in Salim-Sulaiman, is fairly okay. Halkat Jawani and Khwahishen are nice, and despite problems, so is Saaiyaan. The rest are kinda okay. Short, crisp, not too good, but well, manageable.

Shirin Farhad ki Toh Nikal Padi: Music Review (Jeet Ganguli)

Shirin Farhad ki To Nikal Padi Music ReviewJeet Ganguli has been in Bollywood on and off. But since Jeet-Pritam’s separation, he’s not been in the top rated movies. After a long time, he gets to compose for Shirin Farhad ki To Nikal Padi, which, depsite its irregular star cast, should be a big one. And Jeet plays his part right here. Here is a review.

Ishq mein tere bina dil hi na lage. The opening song of the album is a regular romantic number, with a lovely melody, and KK and Shreya singing. The song sounds a lot like those of 1990s-2000s, and sounds good, something that we are not getting to see a lot these days. Good singers, good composition and a nice romantic track. And still a little rare today, that’s what the song is.

The second song, Khatti Meethi, again maintains the melody quotient, while adding some nicer vocals from Shreya as she goes on to sing again. The other feature of the song is Amitabh Bhattacharya’s lyrics with lot of English words, but still keeping them from making the song anything other than natural. You get to hear ‘mausamon mein feel hai’ instead of ‘mausamon mein ehsaas hai’, something a person is more likely to say today. This may be start of something new.

The sad part is that Urdu is leaving us, and English is coming in, but then that’s exactly what is happening in our daily lives and the good part is that the song does it without going overboard. I’d say, good work by Amitabh here.

The next song of the album, Kaafir Andhere, is a treat for music lovers. The song is a love ballad, sad, a little rocky, and sung perfectly by KK. The lyrics of the song are good, as one can expect from Amitabh. The only negative, the song seems to have a hangover of ‘Jaane kyun tanha ho gaye’ of Bhram. Other than that, it’s just lovely.

And yeah, this one kind of makes up for the loss of Urdu out there.

Shirin Farhad ki Toh Nikal Padi. I love this title song. For two reasons. One, this gives something different to the album, something that is prevalent in the market today, and Jeet does it nothing less than Pritam or say, Sohail. And two, I love the simple, very slightly philosophical, but feel-good lyrics. OK, maybe I said a bit too much for the lyrics, but the song is nice. And makes me feel I should watch the movie. Me.

Guitars. Kuku duku. Again a little hangover’ish from here n there, but the sounds are nice, and until Mohit Chauhan enters with the strange, monologue’ish, ’90s type lyrics, you expect a nice romantic number. The good part is even with the comic-romantic lyrics, you like the song, just that it’s not a blockbuster. But nice. Especially for the movie.

Ramba mein Samba by Usha Uthhup has got some nice music, or I should say interesting music, as there were many other songs that fit the words ‘nice’ better. But the fusion of Electronic, Dhol and Spanish background vocals is something that gives a good feel. I like.

Overall, SFKTNP is an album with a lot of melody, something we don’t get a lot nowadays, some good lyrics, with some regular, nice tracks, and a little experimentation and some light comedy thrown in. I don’t think I could have asked for lot more flavors here. Welcome back, Jeet.

Ek Tha Tiger Music Review (Sohail Sen, Sajid-Wajid)

Should I start with Mashallah? Well, I think there is enough said about the song, and then everyone seems to have heard it, so let’s just say the song is probably going to be the weaker part of the album. Or maybe I can say the weakest, if Salman Bhai’s fans allow me to. Not because he’s wrong anywhere, cuz Sajid-Wajid HAVE given some good songs for him. How can I ever forget the small preview of Tere Mast Mast Do Nain I heard at IIFA. That number within seconds told us what a hit it was going to be. But then, this time they seem to have got it wrong. Not too wrong, but not as right as it has been earlier.

And I wrote again so much about that song. OK, leave that one. Let’s see others.

Sohail Sen’s part of the album begins with a KK song and the duo seem to maintain the rapport shared in their last album, Mere Brother ki Dulhan. KK here again plays the fast track, and sings a full fledged commercial number for Salman, this time with Shreya Ghoshal Palak Muchchal. The song, though not extraordinary as such, has a nice melody and the ‘main laapata‘ part is catchy as well. So be ready to hear many fans singing this one, and in due time, some non-fans too.

The next song of the album, Banjaara, is sung by Sukhwinder Singh. And will definitely be pictured on Salman Khan. That actually tells you a lot about the song. Let me spell it out a little more clearly. The song is full of energy, so much so that without even watching it, one can see Salman Khan dancing to the tune with full energy. This one is a hit.

Teri Meri Meri Teri Prem Kahani hai Naadan Parindey. Saiyyara Main Saiyaara. OK leave the name. Let’s just say there is a sad song sung by Mohit Chauhan for Salman Khan. Can there be a thing deadlier than this as of today? OK I may again be overselling it, but I would at least say that Saiyaara is the best song of the album. The song has a superb melody, touching lyrics, the singers are superb, be it Mohit or Tarannum Malik, and so is the singing. The orchestration is simple and beautiful. One cannot doubt about the presence of Salman Khan in the song. Basically there isn’t a thing that would leave me in doubt about the song, it just is going to be one of the best this year. The only minor hitch is that the lyrics of the song make me feel that the movie ‘may’ have a sad ending. Hope that isn’t the case. I want the Tiger to remain there.

And yeah, the Tiger Theme is something you have already heard a lot since the very first teaser trailer, most of it. So that one already makes a fan nostalgic, which is a little strange, but quite positive for the movie. Other than the heard part too, the theme has quite some shades and should work perfectly in the background, and once you have seen the movie, on the CD too.

So clearly, this Tiger is going to rock. As per the rumors, Salman may not be too happy about Sohail doing the score for the movie, but the result has come out really well, and Sajid-Wajid’s song turns out the not-so-good piece of the album. As for Sohail’s part, I’d just say, Mashallah.

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Mashallah (Ek Tha Tiger): Music Review (Sajid-Wajid)

You might call me mad for this, but the first three-four seconds into the song felt a little like Sneha Khanwalkar singing Bhaiya Bhaiya from Jiya ho Bihar ke lala to me. From then on though, the song was a different thing, with all Turkish-Arabic style patterned arrangements on an okay composition by Sajid-Wajid.

To tell the truth, I had been expecting something better, something maybe of the level of Tere Mast Mast Do Nain, but then the news that Wajid himself would be singing the song had its own problems. However, the result was just an okay one. The composition is good in some places, mostly where Shreya is singing (like tu mila mili mujhe khudai), but does not retain the quality througout.

The second best part is my ringtone, i.e. the prelude of the song that appeared in the theatrical as well.

One more positive aspect in the mediocre song is Wajid’s singing. No, he hasn’t suddenly become KK or Sonu Nigam, but he sounds better than almost all his previous attempts, e.g. Dabangg title song where he was supposed to sing just ‘hud hud dabang dabang dabang dabang’ and he sang that too as daBHang daBHang instead.

I have my own doubts about singing as Mashallah what I thought to be Masha Allah or Masha’Allah, but I am sure that Dabang is Dabang only and is not rendered as DaBHang in any dialect.

Other than all that, just to state the obvious, Shreya Ghoshal is one of the best things to have happened to the song. She’s the one who is singing it beautifully, like always.

Ishaqzaade: Music Review (Amit Trivedi, Lyrics: Kausar Munir)

And with Ishaqzaade, Amit Trivedi surprises you again.

After listening to Suraj Jagan’s rocking Aafaton ke Parinde, I was expecting some rock from the title song, but Javed Ali’s simple rendition of the title song not only caught me off guard, I knew that the song was going to grow on me. And so it was. Growing on me slowly, every time I heard it. The reasons were plenty. One, the song was quite new for me, as in, it was a simple, nice composition, very much Indian at the heart and Javed Ali sings it very much that way, but it has sax and western drums, which give way to Indian style beats. That was just some analysis I could do, I hope you get the essence. The song suddenly shifting from Javed to Shreya at the end is interesting, though nothing really new, yet Shreya once again surprises with her singing, or rather the voice here. Just listen to the song. A few times.

Hua Chhokra Jawan re. An Amit Trivedi desi song, with a touch of brass band effect, mostly from the drums used. Sunidhi Chauhan is the best part of the song, as the lyrics get full justice done to them the way she sings them. Vishal Dadlani is definitely not bad, but he didn’t here need the depth that generally comes with his voice, and I’m not such a big fan of his masti-mood songs, like Dhaeon-Dhaeon, and this. Still, interesting stuff, to say the least. Worth a try definitely.
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Tezzz: Music Review (Sajid-Wajid)

Recently I was watching an interview of Sonu Nigam. Money was being discussed and Sonu was asked if there are music directors for whom he sings for free at times. And the answer was yes, but the first name he took was a bit of a surprise for me. It was none other than Sajid-Wajid. Not like I don’t have reasons to believe they are good composers or Sonu Nigam shouldn’t enjoy great relationship with them (he got his biggest pop hit, Deewana, from Sajid-Wajid), but it just wasn’t a big enough name somehow. I think that’s gonna change now.

Yep. Sajid-Wajid sound like a very ’90s composers at times, but their greatness exists in the fact that even when they sound like ’90s, they are so good with it that you end up loving them. The only problems they have had is that they have not really been very consistent, and of course, they haven’t had very big names to work with, with a regular exception of Salman Khan. The latter is changing, and I hope that the former changes too.

OK that was a long prologue for a small album with just four original tracks, though there are twelve versions on the disk. So here we go on Tezzz.

The album starts with the gem of a song called Tere bina tere bina dil naiyo lagda, sung by Rahat Fateh Ali Khan. A nice melody, and quite some Nadeem-Shravan’ish treatment is what the song has, but neither of the two is mediocre and some simple singing from Rahat is enough to make the song lovable. And that is what it is. Lovely.

Tezzz title song sung by Sunidhi is an average number, with a little Abbas-Mustan feel to it, which seems to be going with the movie. Sunidhi’s singing is good here, but the results are more or less just okay. Maybe the song will be liked a bit more with time and promotion.

Mohit Chauhan singing for Sajid-Wajid is something rare, if not a first. However, the duo give the master singer a song that fits his voice perfectly and the treatment is more or less the same as he generally gets from Pritam, with an added Chorus for him singing tere saaye mein, which makes the romantic song more devotional. A simple, light, romantic number, with the added chorus adding a little more to the song.

Laila, the next by Sunidhi is an average number again, and somehow after not liking it after listening to it a few times, didn’t feel like listening to it more. Passable.

For the next track, Shreya Ghoshal comes to sing Tere bina tere bina, which sounds perfectly good, but a little more ‘old’, a little more ’90s. Probably because Rahat’s adds a little twist to a song, you don’t feel it so much in the male version. However, worth a listen for sure. Do listen and decide for yourself if you like this one more.

Shaan’s version of Tezzz is not really great. Wondering if this could have been given to KK. Not sticking much on remixes, I shift towards the sad version of Tere Bina, which I presume could be better with a few more twists thrown in with that simplicity. The last thing I would like to say a little about is Tere Bina (Indian) version. Sudden thought: It’s still Rahat singing, so how’s it more Indian? Well, jokes apart, the version is a little more towards Aashiqui as beats come more from the Tabla here and that IS nice, but I think a little more Indianization of the version could make things more interesting.

Overall, Tezzz has got quite some nice music from Sajid-Wajid, even if it doesn’t go equally in all the songs. Other than that, the album has got a little too many versions. I think if you don’t want to go into much and want to get the sure shot numbers, go for Rahat’s version of Tere Bina and Mohit’s Main hoon shab. And if it’s a little more, you can try the Indian version and Shreya’s version as well.

Agneepath: Music P-review (Ajay-Atul)

Check Full Review HERE.

The music of Agneepath is supposed to released in 10 days still, but the promotional tracks are out, somehow the thirty second previews were enough to make me write a review, based on promo track, so you can call it a preview as well.

Kamsin kamariya saali ik thumke se lakh maare, note hazaaron ke khulle chhutta karane aayi. Well, Chikni Chameli, featured on Katrina Kaif, is not just interesting with lyrics, its music is attractive and more than everything, Shreya Ghoshal’s singing is surprising. Gonna wait for the song.

Ajay-Atul. Roop Kumar Rathod. A song that says ‘sehme hue sapne mere haule haule angdaiyaan le rahe, thehre hue lamhe mere nayi nayi gehraiyaan le rahe, zindagi ne pehni hai muskaan.’ Seriously, do you need to know more? Again, I am waiting for the album! 😐

Deva Shree Ganesh is one song that is a little regular, probably because of the subject as well. Reminds me of Don’s bappa moriya, and probably not as zealous, but can’t be sure about the latter in a 30 second preview again.

What again beats me is Sonu Nigam’s Abhi mujh mein kahin. Sonu’s singing is getting worth songs after some long break it seems. Recently he sang a nice song in Lanka and now this. Lovely.

Shah ka Rutba sung by Sukhwinder seemed to be Dabangg pattern from the name, but the song has a different flavor and goes more in Azeem o shaan shehenshah in terms of lyrics, and the music is a little qawwali’ish. Not too great from the promo, but definitely a like.

Gun Gun Guna ye gaana re sung by Sunidhi Chauhan and Udit Narayan seems to be a break from Sunidhi’s recent series of (mostly average) item numbers, as the song sounds like a light number. Also, Udit Narayan, who does not feature in the promo track should be something to cheer as he is not generally seen in albums nowadays and lately I have started missing his voice to some extent.

So all in all, Agneepath looks like something that can be bought on the day it gets launched. I don’t think anyone’s going to be disappointed. And yes, Ajay-Atul are definitely here to stay.

For Full Review, Check HERE.

Lanka: Music Review (Toshi-Sharib, Gaurav Dagaonkar, Rishabh)

I wanted to write a review for Lanka since I heard it for the first time, say a week ago at least, but somehow couldn’t do it yet. Finally writing it now.

The album starts with Iltija, Rishabh Srivastava’s song from his debut album Iltija. The song on the Bhatt pattern is an okay composition and sung okay too, making an okay though a little unevenly spaced start.

The next song Aap ki Aahat, composed by Toshi-Sharib sounds like the beginning of Bhatt-camp-song again as the beginning seconds remind me of aye kaash, kash yoon hota, but then the young Sabri brothers get into a different mood as they compose a slower tune for Sonu Nigam to sing, with some interesting lyrics as well. Nice one, something that Sonu Nigam sounds nice singing.

Sheet Lahar, composed by Gaurav and sung by Shreya, is a slow, nice composition with simple lyrics. The slow pace of the song may not appeal to all and definitely not one for ‘quick listening’ but if you give it time, lyrics as well Shreya’s singing would appeal to you. Nice job by Gaurav Dagaonkar.

The next song is again by Gaurav Dagaonkar, and is my favorite from the movie. Yup, it’s KK singing, where the irritation claimed by the lyrics can almost be heard in his voice. Barham hain hum is something to listen to, definitely.

Qubool, the next, is a regular Toshi-Sharib song, sung by Toshi, but then the song has an added dose of good lyrics, that too in prayer to god, making the song nicer to listen. Liked.

Sheet Leher comes in a different version, this time sung by Tia Bajpai, and sounds okay.

The last one from the album, Sunidhi Chauhan’s Hai Rama Rama, composed by Toshi-Sharib, doesn’t seem to be any purpose more than being yet another item number in the movie.

Overall, however, the album is good, with Gaurav Dagaonkar giving some good numbers while Toshi-Sharib give more or less their average, which is good, to say the least. Do listen to the album especially for Sonu, Shreya, n KK’s songs.

Dam 999: Music Review (Ouseppachchan)

Mujhe chhod ke kyun gayi, dil tod ke kyun chali.. when Hariharan starts singing, it sounds like an okay start. Okay because for once you feel that the lyrics have just been set on the music. Or something like that. And then you wonder whether the song will survive, because it’s really slow. But somehow it grows on you, and by the time you finish listening to it, you can play it again. At least I could.

Shreya’s version of the song is more or less the same, except that Shreya’s voice sounds more serious, a little heavier, than her regular voice. Nice.

The next song is a discovery. Of a singer. K Niran is the name and the guy reminded me of KK from the very start even though the voice did not sound much like KK’s. The song, Baat ye kya, is a slow number with very light, background’ish touch of rock in the arrangements. Frankly, the song is lovely, and the singer sings really nice. Problem: Pronunciation, diction. Hope it’ll get better with time, hoping he sings more Hindi.
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Jo Hum Chahein: Music Review (Sachin Gupta)

Sachin Gupta, the man behind Ehsaan itna sa kar de and Prince, is here again, with his new album, Jo Hum Chahein. Here is a review of the album.

The album starts with Aaj bhi Party sung by Suraj Jagan, which impresses with its sound from the very beginning. Yet another party song, Aaj bhi party is based on a nice tune and the sound of the song has been well worked on. Suraj Jagan once again does well.

The second song of the album, Ishq hothon se to hota nahi bayaan is a nice surprise from KK and Shreya Ghoshal, that goes a little in the ‘Ehsaan’ way, without the high notes. I mean, the song is a really soulful number with lovely lyrics and soft music on a nice melody, but the background has some rock’ish effects here and there. Well fused. Do listen.

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The Dirty Picture: Music Review (Vishal-Shekhar)

..and Vishal-Shekhar are almost back to being Vishal-Shekhar.

Ooh la la is, as it is supposed to sound, does sound like an average famous song of ’80s n earlier ’90s. Bappi Lahiri is a nice choice for the song and Shreya is not even questionable. The ‘gira ke apna pallu’ part is a total twenty-years-ago material. Awesomeness in its own way.

The first notes of Ishq Sufiana remind me of badmash dil, but from the very rendering of ‘rab ki kawali hai’ the song sounds like making of something big. The song is definitely nice, but as of now I am loving Sunidhi’s female version of the song more, a rare thing as I mostly prefer male versions of songs, just an observation. At the same time would like to tell that Kamal sings really well (expected after his performances in Saregamapa) for a new singer.
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Ye Stupid Pyaar: Music Review (Vipin Patwa)

The album begins with Nikhil D’Souza’s Lamha Lamha, and though the song doesn’t seem to be one for a long life, Nikhil’s voice is nice and the music and lyrics are average, making the song an okay one.

Second song in a row begins in such a way that you are bound to think if the composer is some old follower of Pritam. Anyway, KK sings the simple tune of Tere naam se in his lovely voice, almost reminding me of hothon se chhoo lo tum, mera geet amar kar do. I mean, I wonder how many songs have risen in standard simply because of the voice and the way of singing of KK. Not an exceptionally good track, but you’d most probably like to listen to it.
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