Heroine: Music Review (Salim-Sulaiman)

If you had suddenly got some big hopes from Salim-Sulaiman like I did, this might be a disappointment for you.

Yes, Salim-Sulaiman seem to have got the best of their creativity in Halkat Jawani itself. Even though Heroine is not exactly something to discard and has a few good things, Salim-Sulaiman are finally looking like a spent force and probably not looking for a comeback.

With that negative note, let me start a review that I hope is not biased against them.

And so, let’s begin with Khwahishen, which is probably the best song of the album. A ‘new’ (all terms are relative) song from Salim-Sulaiman, sung by Shreya Ghoshal, it’s a nice compostion with some above good lyrics. Zindagi ko dheere dheere dasti hain khwahishen is something I’d go for. Nothing special for Shreya as such, but she anyway sings it well. Worth listening to, at least.

The next song, the last in the album (but not in the review) is Tujhpe Fida. A song that already sounds like a remixed pop number, but does sound nice. Benny Dayal is almost a default choice for the song, and Shaddha Pandit does fine here. Still, with all the arrangements in the song, cannot help feeling it lies a lot somewhere between Aadat se Majboor n Thug Le.

Halkat Jawani. Frankly, item songs in general don’t interest me much anymore. Don’t know if Mamta Munni Sharma (or excess of her voice, everywhere) is the cause, but the result is what it is. Still, Halkat Jawani was something that kinda gripped me. The composition is simple, catchy, and Sunidhi’s singing is just superb. I mean, I think to a large extent she’s the one responsible for making most of our heroines worth their ‘salt’, literally. Not saying much about the song, I liked the song and loved Sunidhi there. And yes Salim-Sulaiman, this was a nice one. Thanks for that.

Saaiyaan. Rahat Fateh Ali Khan. Yeh Hausla Kaise Ruke.

I don’t know how much, but the song is a lot of ye hausla and I could only hear Dor in the song for the first few times. Or more than a few times. So much that I wasn’t able to like the simple lyrics. Salim-Sulaiman seem to have taken re-creation a little too literally here. However, other than that, the song in itself is good. With most other songs of this type (which sound like a clone/copy), it should find its place after some time of being called a clone.

Main Heroine Hoon. You can probably guess what type of the song it would be. Something like other Madhur Bhandarkar title songs. But somehow it sounds a little more ordinary, at least in the beginning. The song should go up slowly with promotion which I suppose will be there. As for Aditi, her singing is really nice here. From the uber-softness of katra-katra, she’s reached the attitude of Main heroine hoon quite well.

So overall, even though not really make me believe in Salim-Sulaiman, is fairly okay. Halkat Jawani and Khwahishen are nice, and despite problems, so is Saaiyaan. The rest are kinda okay. Short, crisp, not too good, but well, manageable.

Ladies v/s Ricky Bahl: Music Review (Salim-Sulaiman)

Salim-Sulaiman once again do well for the Yash Raj banner. Here is a review of Ladies v/s Ricky Bahl.

Aadat se majboor has some experimental sounds with the regular Salim-Sulaiman pop pattern. The tune is catchy and the song sounds quite nice. Easy on ears. Salim-Sulaiman-Benny-YRF is a success again.

The next, Jazbaa sung by Shilpa Rao, has some nice lyrics and Salim-Sulaiman give some simple sounding music for this one, though the choice of instruments doesn’t sound that simple if you listen with attention. Salim’s backing vocals might remind you of Fashion or any other of their songs as well. Still, the song is overall a nice one and the hardwork the composers have put in is clearly audible.

Vishal Dadlani and Shweta Pandit’s poppy Thug le has a bit too simple tune in some parts, and even though the song is made to be catchy, I didn’t feel the song would last long. The lyrics aren’t Amitabh’s best either. Okay.

Salim finally enters with a full-fledged song called Jigar da Tukda, sung with Shradhha Pandit. The Punjabi song with a lot of pop in it, Jigar da tukda is interesting and should be a hit considering the amount of publicity YRF would give it.

Fatal Attraction, the theme, which has Salim in it with an unknown female voice which sounded like Sunidhi Chauhan’s at some points, and which hit me like Marjaava at 1.58 mins, is okay. The remix of Aadat se Majboor sounded nice too, though didn’t like Jazbaa remix much.

Frankly, in Ladies v/s Ricky Bahl, Salim-Sulaiman seem to have tried to do something more than their regular even though staying in their favorite region. So there is something new, a little new sound, but still the signature of Salim-Sulaiman is there. I’d say nice, because the album is definitely good, but yeah, I am still waiting for the duo to be less techno and rely more on melody some time, like they did earlier, in Dor and Aaja Nachle. Hope they’ll come up with something ‘that’ nice too.

Azaan/ Aazaan: Music Review (Salim-Sulaiman)

If you too feel that Salim’s Afreen is kinda repetitive and sounds a little like Fashion’s Marjaava, go listen to Rahat’s unplugged version of the song. Salim-Sulaiman once again do quality stuff with Rahat. My only say after the version is that the original version could have been given to Rahat as well.

The next track, Khuda ke liye, is again quite templated and very typical of Salim-Sulaiman, but is lovely nonetheless. Shraddha Pandit’s voice is innocent and sounds nice. The song might not be too fresh, but is certainly worth listening to.
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