Players: Music Review (Pritam)

Ten tracks, five songs and rest reprises and remixes. Typical Pritam.

Jis jagah khatam sabki baat hoti hai is again a patterned one with Neeraj Shridhar, SIddharth, Mauli, and an almost chorus, and sounds quite like an Abbas Mustan movie song, but works fine.

The second song, Jhoom jhoom jhoomta tu ja, is not just a different one for Pritam, but a lovely one and a well chosen voice. The song has a little Turkish-Arabic touch, a hint of belly dance numbers, but still the tune doesn’t get all alien. Reminds me of Hawa hawa a bit too. But what I loved here was Ritu Pathak’s voice whose voice has been used by Pritam before but not so well.

The third one, however, did not sound that interesting to me. Yashita Yashpal’s Ho gayi tun has a tune that might sound addictive, but not so soon. Not on my list for now. Maybe promos or more listening change the opinion.

The next, Isko Buddhi Do Bhagwan, is a hit material, though quality might not be the aim here. The lyrics are too simple and so is the tune, but it’s Url (Earl)’s Abhishek Bachchan like voice that might do the trick here. As for Shruti Pathak, it’s probably her voice’s worst use till date.

Enter Pritam and Mohit, with Shreya, to make you go mad, again, like always. Dil ye bekaraar kyun hai, tujhpe aetbaar kyun hai, kyun hai ye khumaar kyun hai.. whatever. The whole point is that Pritam can do it with Mohit a hundred times and still get amazing results. God knows how. Just do listen. They do it for the umpteenth time.

Siddharth Basrur’s version of Jhoom jhoom goes with a very different style when compared to that of Ritu. While the first one was all about ‘nice’ singing, this is almost about mad singing. I mean Siddharth seems to be singing a song that was made for Atif here, and interestingly, still manages to sound good. Catchy and yet looks like it’ll have some good shelf life.

Dil ye Beqarar kyun hai appears again, this time with Nikhil D’Souza singing the reprise. Pritam once again keeps him with more techno version, but this time his voice has been processed a bit too. Still the song does sound nice. And though the first choice still is Mohit’s version, I don’t think I’ll be listening to this version very less. Priyani Vani sounds okay.

And then the final, film version of Jhoom Jhoom comes from Arijit Singh, who sings probably his first solo here, and does it really well for a beginner.

As for the remixes, there are two, for the first song of Neeraj and Mohit’s Dil ye bekaraar kyun hai. None too special, though I was wondering if it was Nikhil’s voice in the background of the latter.

Overall, Players is once again a lovely album from Pritam where he mostly creates what he is an expert at, with one or two new things here and there. Dil ye beqaraar and Jhoom Jhoom are definitely the two to look forward to.

Ye Stupid Pyaar: Music Review (Vipin Patwa)

The album begins with Nikhil D’Souza’s Lamha Lamha, and though the song doesn’t seem to be one for a long life, Nikhil’s voice is nice and the music and lyrics are average, making the song an okay one.

Second song in a row begins in such a way that you are bound to think if the composer is some old follower of Pritam. Anyway, KK sings the simple tune of Tere naam se in his lovely voice, almost reminding me of hothon se chhoo lo tum, mera geet amar kar do. I mean, I wonder how many songs have risen in standard simply because of the voice and the way of singing of KK. Not an exceptionally good track, but you’d most probably like to listen to it.
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Double Dhamaal: Music Review (Anand Raj Anand)

Double Dhamaal is a short album of four original and three remixed tracks by Anand Raj Anand where he gets Mika, Sunidhi and Ritu Pathak to sing besides himself. Here is a review.

The album starts with the title song also called Chal Kudiye. The song is sung by Mika and Anand Raj Anand himself and is an okay Punjabi number. Not bad, but nothing too interesting, can say a typical Anand Raj Anand composition.

The next entry is called Oye Oye and uses the ‘oye oye’ part from Viju Shah’s Tridev number, probably without any rights because this particular part was a straight lift from Gloria Estefan’s ‘Rhythm is gonna get you’ (1987). Outside this, the song sung by Sunidhi is not a very impressive composition but the use of oye oye is good. Nothing too great again.
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Hello Darling: Music Review (Pritam)

Pritam is something like the name of a national Cricket team. Just like countries have a national team and then a second grade national ‘A’ team for some tours, we have ‘Pritam’s music’ and then ‘Pritam A’s music’ for some movies. This one is Pritam A.

I was wondering if I should even listen to the album but then I thought of Sharman Joshi and Tabu’s Toh Baat Pakki and decided to give it a shot. Here is the result, nothing great.
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Housefull: Music Review (Shankar-Ehsaan-Loy)

Housefull’s music is not great. It’s what it is supposed to be – Total Time Pass and Entertaining. Like it, love it, use it, throw it. Well, almost.
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