Shirin Farhad ki Toh Nikal Padi: Music Review (Jeet Ganguli)

Shirin Farhad ki To Nikal Padi Music ReviewJeet Ganguli has been in Bollywood on and off. But since Jeet-Pritam’s separation, he’s not been in the top rated movies. After a long time, he gets to compose for Shirin Farhad ki To Nikal Padi, which, depsite its irregular star cast, should be a big one. And Jeet plays his part right here. Here is a review.

Ishq mein tere bina dil hi na lage. The opening song of the album is a regular romantic number, with a lovely melody, and KK and Shreya singing. The song sounds a lot like those of 1990s-2000s, and sounds good, something that we are not getting to see a lot these days. Good singers, good composition and a nice romantic track. And still a little rare today, that’s what the song is.

The second song, Khatti Meethi, again maintains the melody quotient, while adding some nicer vocals from Shreya as she goes on to sing again. The other feature of the song is Amitabh Bhattacharya’s lyrics with lot of English words, but still keeping them from making the song anything other than natural. You get to hear ‘mausamon mein feel hai’ instead of ‘mausamon mein ehsaas hai’, something a person is more likely to say today. This may be start of something new.

The sad part is that Urdu is leaving us, and English is coming in, but then that’s exactly what is happening in our daily lives and the good part is that the song does it without going overboard. I’d say, good work by Amitabh here.

The next song of the album, Kaafir Andhere, is a treat for music lovers. The song is a love ballad, sad, a little rocky, and sung perfectly by KK. The lyrics of the song are good, as one can expect from Amitabh. The only negative, the song seems to have a hangover of ‘Jaane kyun tanha ho gaye’ of Bhram. Other than that, it’s just lovely.

And yeah, this one kind of makes up for the loss of Urdu out there.

Shirin Farhad ki Toh Nikal Padi. I love this title song. For two reasons. One, this gives something different to the album, something that is prevalent in the market today, and Jeet does it nothing less than Pritam or say, Sohail. And two, I love the simple, very slightly philosophical, but feel-good lyrics. OK, maybe I said a bit too much for the lyrics, but the song is nice. And makes me feel I should watch the movie. Me.

Guitars. Kuku duku. Again a little hangover’ish from here n there, but the sounds are nice, and until Mohit Chauhan enters with the strange, monologue’ish, ’90s type lyrics, you expect a nice romantic number. The good part is even with the comic-romantic lyrics, you like the song, just that it’s not a blockbuster. But nice. Especially for the movie.

Ramba mein Samba by Usha Uthhup has got some nice music, or I should say interesting music, as there were many other songs that fit the words ‘nice’ better. But the fusion of Electronic, Dhol and Spanish background vocals is something that gives a good feel. I like.

Overall, SFKTNP is an album with a lot of melody, something we don’t get a lot nowadays, some good lyrics, with some regular, nice tracks, and a little experimentation and some light comedy thrown in. I don’t think I could have asked for lot more flavors here. Welcome back, Jeet.

Hente Chenashona Rastay n System: a music review (Bengali, Jeet Ganguly)

I am not really into Bengali music and understand the language very little, but recently when I was going through the Ovi website, I saw this album called ‘System’ that attracted me a bit and I downloaded Hente Chenashona Rastay, Papon’s version. And the sound so impressed me I downloaded the entire album.

So you may count it as an opinion of a music fan restricted by the limits of language rather than a music review. First of all let me talk of the song. Jeet Ganguly comes up with some lovely music and arrangements and the romantic song (as much as I got it) sounds really good. Papon is not-so-surprisingly very Bengali in his rendition and I wonder how he can shift his accent when singing in different languages so… perfectly.

Jeet’s version of the song seems to play down the vocals a bit in relative terms, but is good nonetheless.
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