Mod: Music Review (Tapas Relia)

Shivam Pathak and Shreya Ghoshal’s ‘Tu hi tu‘ is nice in music, its orchestration, and singing as well. The slow, restricted number with relatively light music is easy on ears, while Shivam Pathak’s so-heard voice seems really nice in the song.

The next song, Ae meri jaaniya, happens to be a solo for Shivam, and he, kind of expectedly, sounds a lot like in the footsteps of Sonu Nigam, in his early days, though the husky touch give a different character to his voice. Nice singing by him on the slow number, but I guess there is scope for improvement for him, more in the level of confidence.
Continue reading “Mod: Music Review (Tapas Relia)”

Stanley ka Dabba: Music Review (Hitesh Sonik)

Life bahot simple hai. If you are not yet humming this, you’ll soon be, that much I can tell you for sure. Shaan almost does a bum bum bole without exactly getting into that mood and pitch. A soft, innocent, lovely song that is good for you, whatever age you are.

Sukhwinder’s Dabba has some trying-to-do-a-Gulzar lyrics and while the lyricist Amole Gupte gets some on and off success, the overall effect of music, lyrics, and Sukhwinder’s singing is quite likeable. The innocence in Sukhi’s voice once again tells you how that man of hiiiiighhhhh notes can be humble with his voice too. Nice.

The next comes Nanhi si jaan, a light rock number sung by Shankar Mahadevan with a melody that sounds somewhat like that of the ’90s to me. Still, Shankar makes the song worthwhile to an extent. And then, after listening to the entire album, I expect that the song will find its place as the movie comes up. Hopefully.

The next song, Tere andar bhi kahin, is sung by Vishal Dadlani. The song is a light rock number again, but this one is quite different in its treatment and words take precedence over everything in this one. Somehow Vishal’s voice seems to be doing justice to the poetry in this one. Not too ‘musical,’ but it’s lovely and I expect the movie will make this one a favorite.

The next song, the only one in the album with a female voice, Jhoola Jhool by Hamsika Iyer is a short lullaby that sounds lovely if you’re patient enough. A small piece of good work by Hitesh.

The next small piece, Aditya rox, a version of tere andar bhi kahin, is not really very musical, but I liked it nonetheless. Though I don’t think I’ll be listening much to this one.

The last piece of the album is an instrumental which makes me feel once again that Amole Gupte is not yet out of Taare Zameen Par as ‘Thirsty‘ or Stanley Theme definitely more or less reminds you of Kholo Kholo darwaze more than anything. And then of course, going back to the first song may prove that Amole is at least trying to give people an idea that it’s something, in some way, close to or related to TZP.

Still, the overall impact of the album is good. The music is fresh and Amole’s lyrics definitely speak for his movie only. The good part is that even though you can relate the music to the children’s movie, you can enjoy it anyway, something I’d consider a huge achievement for a debutant album composer in Bollywood.

Raajneeti: Music Review

Quite opposite to once expectations and Prakash Jha’s image, Raajneeti seems to be a full fledged musical once you read the names of composers and singers on the cover of this album. And most of them succeed in doing it to quite an extent. Yes, Raajneeti has it’s fare share of good music. Here is more.

The album starts with Bheegi si, bhaagi si, which is a peppy, foot-tapping, Pritam type song sung by Mohit Chauhan with a relatively very new Antara Mitra who sounds something like Shreya Ghoshal. A good one to say the least. Catchy. Not long term, but not bad certainly.
Continue reading “Raajneeti: Music Review”

Ishq Barse Boondan Boondan – Rajneeti

Atkan Matkan dahi chataa,
chor pigeonwa fur hui jaa
aare aare kaare kaaga
chun chun moti kha re kha
boondan boondan barse barse
dhuaan dhuaan hui ja re ja
atkan matkan dahi chata,
aare kaaga kha re kha..

A wonderful Indi-rap starts Ishq Barse, the guest composition of Shantanu Moitra in Prakash Jha’s Raajneeti. Prakash says that Shantanu has never created this type of peppy compositions and that’s why he could come up with a ‘fresh’ tune. Well, Shantanu seems to have done it as I quite liked the song, especially the rap part, which is most probably sung by Swanand Kirkire.
Continue reading “Ishq Barse Boondan Boondan – Rajneeti”