Mirch: Music Review (Monty Sharma)

Monty Sharma’s Mirch is an album with some wonderful songs, even though there are a few signs of desperateness too. The best thing of the album is Shankar Mahadevan’s rock-meets-classical song Kaare Kaare Badra. The song is a beautiful fusion done with some good effort and Shankar does the song in a way that I feel this was made for him. Do listen to this one.

The next good thing here is Bela Shende’s Mann bhi hai. The song is a beautiful poetry and Bela has sung it beautifully over the simple music. Nothing too high or trying-too-hard. Just simple and lovely so.
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We Are Family: Another SEL Treat

Another much awaited album from the stable of Karan Johar. Another wonderful listen from Shankar-Ehsaan-Loy. Oh, did I forget Jailhouse rock? 😉

We are Family starts with SEL at their romantic best, as they come up with a typical romantic Aankhon mein neendein sung by Rahat Fateh Ali Khan and Shreya Ghoshal along with Shankar Mahadevan. Irshad Kamil does no breakthrough to lyrics but adds a few beautiful touches to his words here and there. Lovable. A song for the long run.

If you haven’t heard the album yet, reduce the volume a bit before the second song starts. As Shankar-Ehsaan-Loy-KJo-Sid make Kajol kill Elvis with Dil Khol ke let’s rock, it’s clear that the song is definitely not the best thing for a music lover, but the song is certainly a tongue-sticker. Taking the video into account, I’d say Anushka does a wonderful job at being carefree while Akriti is good as a support and singer. The rocker Suraj Jagan sings this one also really well, though the negative point of the same is that he doesn’t sound casual unlike Anushka. Last word, you are anyway not likely to love it the first time, and if you’re an Elvis fan, there is no way at all. But even after all this, the song is going to be a hit, a superhit. After all, it’s Elvis’ music, and recreated by none less than SEL.

Next is the Best. Vishal Dadlani and Shankar Mahadevan come together for a wonderful Reham-O-Karam and the song just rocks. Reham-O-Karam starts with a casual solo rendering by Shankar and then suddenly it all gets rocking. From the on Vishal and Shankar sing Irshad Kamil’s lyrics to the wonderful tune of SEL and it’s Magik. Oops, magic.

Next song happens to be Sonu Nigam and Shreya Ghoshal’s Hamesha and Forever, which is kind of typical with nothing new but just some sweetness that both Sonu and Shreya have in plenty. A soft, slow number that will stick itself with the story of the movie and will keep walking at its own pace. Another one for long runs, but ma take some time to take off. As the name says, Hamesha and Forever.

The last song of the album is Sun le dua yeh aasmaan. The song is pretty slow, even from Karan and Shankar-Ehsaan-Loy’s standards and Bela Shende does a good and pretty tough job as she moves the song alone. As a matter of fact, it’s almost a theme.

The end of the album is, of course, with a theme and this time Karan keeps the privilege for the trio again after MNIK where he had given the theme alone to Strings. It’s a typical, what do I say.

Overall, We Are Family is a predictably good and sweet album from Karan Johar and Shankar-Ehsaan-Loy. Believe me I’m keeping Karan first because that matters more here. And yes, all the three words (predictable-sweet-good) don’t fit with JailHouse Rock. Still, I’m humming it.

Best of the album: I guess Reham-O-Karam, followed by Aankhon mein neendein.

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