Jab Tak Hai Jaan: Music Review (A R Rahman, Gulzar)

Challa ki labhda phire.

When I heard that one, I was struck by a small shock. I was hoping that the movie shouldn’t suddenly become what became of Gulzar n Rahman’s last big thing with a big producer, the Taal guy, Subhash Ghai. n the movie was Yuvvraaj.

The good part is that it’s not that bad. The bad part, it’s not a Rockstar.

Well, so you all have heard the song, and must know by now how SRK taking on Rabbi’s voice looks strange, despite the good song and an otherwise ok video. And yes, the interlude of this song reminded me of Yuvvraaj too, when I heard it first. Bad omens?

Anyway, the second song Saans had Mohit Chauhan and Shreya, and turned out to be good. A little touch of Tum Ho maybe, but the slow, romantic song is nice, and Gulzar’s lyrics are touching, though they don’t so much sound like a free flowing Gulzar. Still, worth listening to.

Ishq Shava. Well, I have some hopes from this song. Ask me why. Because on the first listen, the song sounds like a disaster, and after listening to it for a few times, it’s getting better. So this may be one of those Rahman songs that get stuck, though after their time when they’re considered a failure. Btw, the arrangements are nice, and Gulzar is a little in his ‘touch’ in some lines, for sure. Could be better, but whatever it is, give it some time.

Harshdeep Kaur’s Heer comes next, and that’s a lovely one again. Nice one, with a lot of Punjabi in there. The biggest thing about the song is its naturality, as neither music, nor lyrics sound at all forced. And Harshdeep is equally natural. So that’s one for you, especially if you love Punjabi.

Jiya Jiya re. Doesn’t sound like one from a Yash Chopra’s movie, but this one is nice nonetheless. Gulzar’s lyrics get a little different, slight rock feel here, and the result is not bad. Tells me Neeti Mohan is an underrated singer actually. Good again.

And here is the best of the movie. The title song.

Yes, I am liking the songs of the movie, but this is the one that I expect from Yash-Rahman-Gulzar. Javed Ali sings this one with Shakthisree Gopalan, a known name in Chennai for her rock, but heard little otherwise. And what do I say for the song, it goes right from some rocky feel to downright dholak. This is that This-is-it-Perfect-Blockbuster one. Okay, maybe I am saying too much. Do listen.

Saans reprise, sung by Shreya, is a small one, that would most probably come at the end of the movie. Short and slow, the song somehow touched me more than the original version. Good one.

The instrumental, Ishq Dance, sounded un-great, simple. And then there was Shahrukh’s recitation of a little-too-hyped poem of Aditya Chopra. Nice recitation though.

Overall, the trio of the greatest lyricist and musician of India with one great director comes out okay, but this is not what was expected of them. Hope things get a little better. But somehow I feel disappointed one year after Rockstar.

(All Links point to Lyrics with Translations. You can check All translated Lyrics HERE)

Ek Deewana Tha: Music Review (A R Rahman)

we have an awesome start, an almost perfect Hosanna, a lovely Sharminda Hoon, a romantically touching zohra-jabeen, and a lot many average to above average to even good other tracks. I guess that good enough for now. Isn’t it?

Also, after taking a look at some more reviews, I think it would be better to mention that I have not heard Vinnaithaandi Varuvaya and hence the review is from the perspective of a person who has NOT heard the original album, and listening to all the tunes for the first time.

Full Review on New Happysing.

Rockstar (2011) Music Review (A R Rahman)

Rockstar starts with Mohit Chauhan singing Phir se ud chala. The song, that starts with a relatively light mood and gets a breezy effect from Mohit, like the words of the song, gets remixy by the end, actually a nice experiment that will catch on slowly. One very interesting part of the song, though, was the background vocals in the beginning and end.

Jo bhi main kehna chahoon, barbaad karen alfaaz mere. Frankly, I am a fan of this one line written by Irshad Kamil. And then A R Rahman in an experimental mood, composing like there is someone actually singing at a concert. And Mohit Chauhan singing that. I don’t think there was anything more required, but still, the song has a lovely video as an add-on. Seems I wrote a lot just praising the song, but guess it’s worth that. Do listen.

Katiya Karoon. Dangerous words. Rocking music. And superb vocals by Harshdeep. If she has managed to be not famous even after Rang De Basanti, this time Rahman is definitely gonna make her known. DO listen.

Kun Faaya Kun is once again Rahman at his regular divine stuff, sung by him with Javed Ali and Mohit. I sometimes wonder how Rahman is so easily able to create such wonderful songs in the same segment, one after the other, and all of them equally great. Yes, good is a small word here.

The next, Sheher mein, is a Very exceptional number, where one person tells how to sing, that is what to do, followed by lines, followed by Ranbir that is Mohit singing them again. While Karthick sings the song as a regular singer, Mohit takes every line in a stylish mood and you just enjoy the difference.

Hawa hawa, featuring Rahman’s Foreign language gang with Mohit Chauhan, has an Arabian touch in its music and arrangements, while Mohit again sings with some more experimentation. Wondering how much of experiment is going to be there with his voice in just one album. Not a quick catch, may be interesting with a video though, as the song has some interesting words with a conversational style.

Aur ho, the next song, that begins with Alma Ferovic’s voice, is the first true rock number of the album. Even though the background of the song is quite light in most of the song and has a very familiar Rahman touch, but Mohit’s voice gets incredibly high in some places, like an all new rockstar. Do listen for a nice glimpse of that old Rahman.

Rahman and Mohit’s O Naadan Parindey, which is already a lovely composition in itself, has got a LOT of experimentation done by Rahman in background and foreground, and unless you listen to the song a few times you’ll find a song a little difficult to follow. But whatever you do or do not, make sure you listen to Kaaga re kaaga re part sung by Mohit. Lovely, no, Very lovely one.

When I heard the 30 second preview of Kavita Krishnamurthy Subramaniam’s Tumko pa hi liya, I thought of it as a very regular song, and was wondering if Rahman should have given it to Madhushree to making it a little more interesting.

I was wrong.

Rahman makes a lovely slow number with a nice, light Indian-Western fusion with a lot of Tabla, while Kavita just sings the slow, long melody in the foreground. A song that will take some hours to get on, and a lot, lot more to get off.

Next to next after tum ko, comes tum ho, almost the same tune sung by Mohit Chauhan, with all different style and arrangements, so much so that it’s difficult to guess its the same song if you’re listening to both for the first time. Mohit sings the song much more beautifully, but not taking much away from Kavita’s version as what she sings is again equally different.

Tango for Taj, the three minute instrumental, is a common, but nice, and to some extent engaging track that one would actually like to dance on. While Dichtomy of Fame, based on Shehnai and guitars, is one instrumental piece in long time I really liked, even though I don’t think I have much of an ear for instrumental pieces.

The last track, The Meeting Place, is rendition of a single sentence by Ranbir, based on Rumi’s poem. All I have to say is that if they had not given this one, people probably would ask for it after watching the movie.

And if you are wondering where is Sadda Haq, it’s between Kavita’s Tum ko, and Mohit’s Tum ho, but had decided to avoid until the end. Have still to play it.

Orianthi. Superb guitars from the first second.

Besides that, I don’t know much about Sadda Haq aithe rakh. The song is completely anthem-ish. And it gives you a high like it should, even though the best part of the song is already listened by almost everyone, tens of times in my case. The song is expected to do well everywhere, including country, overseas, in Punjab and out of it (talking of the language), on youtube, and probably even on your website if you put it there. You can listen to it while exercising, or getting ready for an exam. If you’re going for some protest, it’s a must have, be it social, political, or emotional. In short, Sadda Haq aithe rakh is a song for many seasons. And you can probably buy the CD for this song alone.

Enough said.

Problems buying Rockstar songs/ album

Well, like everyone else, I am mad about getting the songs of A R Rahman’s Rockstar. But seems there is no way, at least no easy way of getting it.

For one, I was looking for the album every day since 20th September, the day there was so called ‘music launch’ at Hazrat Nizamuddin’s dargah. Still unable to understand why the songs were not available Anywhere even 9 days after launch.

And now finally when I got to know that the songs are available, I went out on the web, at the websites of T-Series as well as on Hungama.com, but while Hungama is not able to send me a password/PIN required for registration with their website, T-Series website straightaway says ‘Product you searched for was not for sale . Please feel free to Shop by Clicking the following Link’ when you click ‘Buy.’

My guess is that with the servers are not able to handle the pressure, something that last happened with Rahman’s Jhootha hi Sahi, when Saregama tried to launch it through their website. And if that is the case, I wonder what is the point in making people wait so much and create such a hype.

In fact such a scenario I would say something like what Vishal Bharadwaj did with Saat Khoon Maaf was nice. His three day advanced launch on Nokia website was a nice idea without much trouble as Nokia servers at least would hopefully be able to handle the load, and even if Nokia is taking a larger share, it would get more people to actually buy the music.

Anyway, how to do it is still the problem of the company. But as a fan what I want is that I should be able to get the song when I click buy and am willing to pay for it.

And, oh, did I tell you that I am still waiting for my Flipkart copy of the CD to be shipped, just like many others who have made it a bestseller even before it’s out?

PS: Dear T-Series, Sadda Haq, Aithe Rakh.

Jhootha Hi Sahi: Music Review

No, it’s never easy to comment on a song composed by Rahman. Reasons are many. For one, they’re never ‘bad.’ You’ll always like them at least a bit even if at the start they sound strangest thing in the world. Secondly, he has built so high reputation and expectations in people’s minds that it’s not easy to get to that level even with the best songs. And then, he has so many fans. But the worst thing is that u can not always be sure of disliking a song of his. Probably that is why he is Rahman.

Anyway, here is a review of his new album, Jhootha hi Sahi.

The album starts with the child’s play called Cry Cry. A song that is going to be a hit simply because of it’s simplicity. Though I didn’t like the lyrics of the song much, the message the song gives is good and Rashid Ali and Shreya’s singing is sweet. Not too good in terms of music, but a likeable thing.
पढ़ना जारी रखें “Jhootha Hi Sahi: Music Review”

Cry Cry, Itna Cry…

Beautiful. After a so-techno and confusing Robot, A R Rahman does something so simple and almost magical with the ever-so-sweet and innocent tune of cry cry itna cry in Jhootha hi Sahi. The song and the music are no big bang, and all he has done is make something that sounds ‘cute’, arranged some pretty light music and added two sweet voice singers. And the result is a tune that just goes and sits in the ‘to be hummed’ section of one’s mind. I love it.

Though, what I don’t love in the song is the try-too-hard lyrics of the song. In order to keep the rhyming, Abbas Tyrewalla, who is lyricist for the movie too, has added almost any word, way too unnecessarily at times. For example, the lines with chaanta and kaanta have no absolutely nothing to do with each other and the kaanta line almost breaks the entire flow of the talk, but he’s put it there to rhyme. Again, raatein and baatein are made to rhyme with an non-existent word haalaatein. Frankly, Haalaat is a plural for haal and there’s no meaning of Haalatein. Rest of the song, it’s all good. Rashid Ali sounds real, while Shreya sounds sooo-sweet.

Here are the lyrics and their meaning.

Music Review: Robot: Hindi

Robot, the Hindi version of Rajnikant-Aishwarya’s Enthiran was a much waited album, composed by A R Rahman. Here is a review of the album.

The album starts with O Naye Insaan and you get to know that this Robot is going to be actually robotic. The song anyhow sounds good as Srinivas croons in two almost different voices, doing the awesome work that is done by two people in Tamil and Telugu. The song has a deep electronic effect and you can feel you’re listening to some sci-fi music. The song is mechanical from the very start and the beginning is the most interesting, I’d say addictively so. But the lyrics are too tough and I doubt many people would be able to understand much in the first few times. Khatija, Rahman’s daughter who sings for the first time here, sounds like a child and I guess it’ll take some time before she should come to sing full-fledged.
पढ़ना जारी रखें “Music Review: Robot: Hindi”

Ten ‘Pop’ songs you shouldn’t miss

‘Pop’ is a genre of music, but for me, it’s been private albums and bands, which made all the ‘pop’ for me in childhood, and I still use the word like that many times. Hence, today I present a list of my favorite ‘pop’ songs, in no particular order, hoping that some of the songs that deserve to be heard reach a few more people.

Tere Naina (Jhoomo re/ Kailasa): One song I love like anything. I can listen to this one at any time, anywhere. And I just love it always. Deep, soulful, moving Kailasa.

Kothay Uttay (Saari Raat/ Devika): A song based on Hindustani Classical music as per the album cover of Saari Raat. A piece with some soft beats and lovable music. Barkha Bahar of the same album is a close too.

Meri Tarah (Fitoor/ Mohit Chauhan): It’s difficult choosing one song in this nostalic-ish album of Mohit. My guess is I picked this one for its awesome lyrics, which are again penned by the singing genius himself. A soft, lovable one in that super voice.

Har Jagah mein (Tu hi mere Rab ki tarah hai/ Mithoon): Mithoon’s album never made it big, but there were some good song in the debut album of this little master of music and this one is probably one of them. I’d say a typical Mithoon song with him at his best.

Mann Chandre (Connections/ A R Rahman): A R Rahman. Sukhwinder Singh. And a bit-sad, bit-philosphical, punjabi song. Do I need to say more? I guess not. Still I’d say, listen to the awesome chorus in the song. Rahman is not one who uses a chorus too much, but when he does, the effect is something like you can see here.

Mehfooz (Mehfooz/ Euphoria): Euphoria at its best is not always euphoric. Sometimes it’s sad, sometimes it cries out loud. Mehfooz might not be the top selling album of the band but the title song of the album is as deep and touching as any of their best hits. At par with mayeri and ab na ja, mehfooz is something to cherish forever.

Rain bhai kaari kaari (Humsafar/ KK): I don’t know what I should call this song, but it’s like a mix of somewhat classical stuff with some rock mood. KK, in his album Humsafar, sings this wonderful song called rain bhai kaari kaari din ujiyara. All I’d say is, listen to it, at least once.

Kaise jiye hain hum (Maheroo/ Jojo): I remembered Jojo for that mad song called Woh Kaun thi since my childhood, and then there was Maheroo, his other album after a long time. Hoping for a great album, I did listen to the whole album. Well, album wasn’t all that great but there was a song that I completely fell in love with. Kaise Jiye hain hum. A nostalgic song from someone destroyed in love (line copied from Fanaa), it has a nostalgia mix too, with the sound of a train. Interestingly, the mix is worth a try too.

Saiyyan (Jhoomo re/ Kailasa): Another song of the best of Kailash Kher. Came after Teri Deewani. Though popular, the song couldn’t do so well as Teri Deewani, but I think I love this one more. Only two words for the song – Kailash Kher.

Door Kahin (Nine): I hope you reach the end of this post, because Door kahin of Pankaj Awasthi is not only a favorite of mine, it’s different too. It’s a romantic song, with lyrics deep dpwn in romanticism, but it’s nothing like a typical romantic song. A wonderful thing to listen to.

Just do tell me if you like the songs. And also if u don’t.

Tip: I’m bookmarking this page myself. 🙂

Raavan: Music Review

maaguvanjalo.. aagubenjaaaalo…
a aen aen aen e eo.. a aen aen aen e eo..

Got what is that? Start of a good album, and a wonderful song. The album is called Raavan, and the song is, yes, you get that. Beeera. Beera, beera beera beera, beera beera beera beera beera, beera ke dus maathe, beera ke sau naam, chhede jo beera ko, dhama dham dham dham. If there was anything that could ever be compared to beera, it was probably Omkara, but seems Omkara also stays behind beera when it comes to being musical.
पढ़ना जारी रखें “Raavan: Music Review”

Beera: Raavan (Vijay Prakash)

Mani Ratnam. A R Rahman. Gulzar. Vijay Prakash. And Abhishek Bachchan. Here is the first video of Raavan, Beera ke dus maathe, beera ke sau naam.

The video is certainly worth a watch and Abhishek is looking different again, though Aishwarya in water reminds me of Guru again. The song is definitely good and I am hopeful about the music that is coming on April 24th. Here is the video.

Raavan: Soundtrack

So finally Mani Ratnam’s Raavan is here. Or so it will be, on April 24th, when Rahman’s music is out. Abhishek Bachchan can be seen in the video of Beera sets up a high expectation from the album, as well as the movie. Here is the soundtrack listing of the movie as found yet.

Behene De – Karthik
Beera Beera – Vijay Prakash
Kata Kata – Ila Arun, Sapna Awasthi & Kunal Ganjawala
Khilli Re – Reena Bhardwaj
Ranjha Ranjha – Rekha Bhardwaj & Javed Ali
Thok De Killi – Sukhwinder Singh

So hopes from the songs of Raavan are high. Check the video of the first song Beera too.

My Best Music Album of 2009: Dev.D

I am writing this post with my poll, best music of 2009, in the next tab. The poll results yet are almost the same as I expected, except for a few changes caused by one factor, a species called fans, which I had almost never seen until I started the poll. Anyway, today I am planning to give MY view on the topic.

पढ़ना जारी रखें “My Best Music Album of 2009: Dev.D”

Poll: Composer of the year 2009

Here comes another poll. This one should not be very difficult for you. There have been a number of music directors with a number of movie albums this year. You have to select who is the music composer of the year according to you. I have given the names of their composed albums in front of composers, finally Pritam too. 🙂

So here is your poll.

Who is the composer of the year 2009?

View Results

Loading ... Loading ...

Best of Rahman: Man Chandre

First things first. Mann chandre is one the very best songs of Rahman. Or at least that is what I personally felt.

I don’t understand Punjabi very thoroughly but courtesy Yash Chopra, i know quite a few words of the language and that helped me a lot in understanding the song, as it’s completely in Punjabi, which is probably the only limiting factor of the song.

पढ़ना जारी रखें “Best of Rahman: Man Chandre”