Ek main aur Ekk tu is a good album, with some variety thrown in by Amit Trivedi. It’s not his type 1, with Anurag Kashyap connection and lots of rock, but type 2, something like Aisha, where there is variety, and freshness. However, I can feel a touch of Anjaana Anjaani in the album, in some of the songs.
The album starts with Tayn Tayn Phiss that sounds more like a song played on Ganpati Puja due to its arrangements, but my guess is once the video is out, the song should work, and look somewhat like aali re, though with a lesser punch, of course.
Somehow the second song of the album, Aa rela hai apun, sounds like you’re listening to the first song again. It surprises all the more because in the third song…
…you meet yet another facet of Amit Trivedi. The guy not only brings Mohit Chauhan in his breezy way, he even creates some wonderful arrangements with children and various sounds that give you something new. And Mohit Chauhan rocks with Amit Trivedi as he sings Ek hi thaali ke Chatte batte.
The fourth song of the album, Ziddi Piddi, is almost like a rockish war cry and has been sung by Amit himself along with Armaan Malik, Tanmay and Gaurika. The way song is made, it may not be liked instantly, but then with the movie it should work as a perfect background.
One of the best things Amit does in the album is his work with children. In this track called Ek School banana hai, there is some wonderful use of children’s voice, and more than that their chorus. Touches of Udaan may be visible here, but the lyrics and the way children take up the song create difference.
The next track of the album is some hard rock, coming from two children again, but in some tough tone. ‘Behla do, fusla do, baalon ko sehla do, hum chup ho jayenge.. bachchon ka dard koi dard hi nahi’ are lyrics that attract you enough before you can get engaged by the music. Liked this. Do listen to the words here.
Liar Liar Pants on Fire. The song has three main elements, some simple music, the (bit-too-)witty lyrics, and the innocent voice of I suppose Gaurika Rai. Add to that the addictive kind chorus and result is the song. I don’t know how much I liked the song but definitely is not ignorable, especially the chorus.
The album ends with a little more experiment on the best of the album as Mohit comes up with a sad version of Chatte Batte, which deep down, sounds like Taare Zameen Par title song, in terms of lyrics. There is nothing really ‘sad’ about the song, but it’s slightly touchy and Mohit’s voice works perfectly with the little background music. A perfect end to the worth-a-try album with its ups (Chatte-batte, followed by ek school) and downs (probably the second sound, more for being a repeat of the first).
The album starts with Aashish Rego and Shree D’s only composition for the album, which happens to be the title track of the album. The song, sung by Bhavin Dhanak, Sanah Moidutty and Apeksha Dandekar, is a usual, funky-colleg-y number that is full of nice beats, but the less than four minutes’ track takes a lovely turn when a Sufiana voice enters the song almost a minute before the end of the song. Still don’t know which of the singers it is, but completely loved the entry, especially the way it happens there. Shame that the voice doesn’t sing much.
From the second song onwards, it gets Pritam. Antenna sounds a lot like some song from Ready, probably the sound matches character dheela hai. Also, the lyrics are written by Amitabh Bhattacharya, but didn’t like the concept of the song itself. Still, the sound of the song IS catchy and can catch up well with some good promotion.
Continue reading “Always Kabhi Kabhi: Music Review (Pritam, Aashish, Shree D)”
Amit Trivedi. 3/6. Vivek Philip. 1/6. Rajiv Bhalla. 2/6. And a good album. Onir does it quite well it seems. A review.
The album starts with Amit Trivedi’s Baangur, sung by Mame Khan and Kavita Seth. The song has that typical Amit Trivedi beat in the background but even though the album bears Amit’s signature, it is completely worth listening to. While Mame sounds a bit like Mohan only, Kavita makes things interesting for sure. A good combination of singers and music.
When the second song Isi baat pe starts, for once you may feel it’s the first song going to be repeated, but then in comes probably the first big name of an Amit Trivedi composition, KK. But somehow, since the song has the same background as Bangur, it doesn’t leave so much of an effect. A good song, nonetheless.
The next song Bojhal se, is sung by KK again, but is a composition of Rajiv Bhalla. The song is definitely one for KK though as there is very minimal music in the background and the whole ballad is lifted by KK alone. The lyrics are wonderful and all I want to say is, listen to it when u are at leisure, and you’d love it.
The next, Aankhein, is a Vivek Philip composition, and sounds like one. The song seems to follow the same style composition as in Jalte hain of Sorry Bhai. A soft, romantic, slow, but beat based song that will probably be liked the very first time you listen to it. And then, some really wonderful singing by Karthik. Do try.
In his next song, Saye Saye, Amit Trivedi gets a bit experimental and keeps Rekha Bharadwaj and Mohan singing kind of separately from the background beats. My guess is that the song is gonna be loved much by people in due time. Sounds like a slow addiction to me. Do listen to this one as well.
The last song Wandu yerudu (means one two), composed by Rajiv Bhalla, has some Hindi/Punjabi/Telugu words, in fact for the first half minute, one may think the song is Telugu only, after which Punjabi words start appearing. Not a great composition and definitely nothing like the other songs of the album. Probably an addition to the album for those who wanted a dance number, but I wonder how much it’ll work.
Anyway, overall the album is great and out of the six original tracks, five are definitely worth a listen, while Bangur and Aankhein are something to be loved. And then, Saye Saye can be the big surprise. Lovely album.
Anees Bazmee definitely does things in an upside down way. That’s how there is Thank You after Welcome. This one again comes from the Pritam’s Factory of Dance-n-forget Music. Here comes a review.
The album starts with Mika’s Pyaar do Pyaar lo, that you might have caught on TV. The oldie-newie song sounds more like a remix and looks very much like a try to redo apni to jaise taise from Housefull. I guess Pritam has been successful, but not so much as SEL were with theirs.
The next song, Razia, is sung by Saleem and Ritu Pathak, but Saleem can be confused for a girl with his high pitch here. Allah bachaye meri jaan ki razia gundon mein phans gayi sounds like a typical item song and Ritu sounds pretty good with her singing. Nothing new, just another good product from the Factory.
Continue reading “Thank You: Music Review”
There are two ways to listen to Dilli.
One. Rock your stereo and include/forget your neighbours.
Two. Fit your earphones well and turn the volume up.
Either way, Dilli rocks. The same deep pain that was there in some songs of Dev.D, has finally come back in Dilli. And while Amit Trivedi’s music is nothing less than awesome, Amitabh Bhaattacharya touches the emotions in very few words. If there is anything missing in the song, move to the hardcore version. * evil smile *
The second song, Aetbaar, brings Bollywood’s rockstar Vishal Dadlani with Amit Trivedi and the result is rocking. Wait, I’m using the word again. No, can’t help. This is a second rocking song in a row. The Sufi touch in ‘dil aetbaar karke ro raha hai’ with Vishal’s very rock singing is worth a praise. Lovable song, and particularly good lyrics by Amitabh.
The next song, Yeh Pal, is a solo by Shilpa Rao where she simply sings Amitabh Bhattacharya’s deep lyrics to a very light music, almost like a poem. While the second half of the same song is an instrumental with Aetbaar visible there. Good, though not catchy and so, may take its own time.
The next song is a very experimental Aali re, which is probably what may be an ‘Amit Trivedi Item Song.’ The song seems to have a Mumbaiyya soul, at least the title ‘aali re’ made me feel so. But with the lines ‘patloon mein junoon hai’ the song almost talks of Delhi too. OK. Don’t take an offence Delhi people. I just mean the not-so-minded-language of the place. Nice experiment, but not a great song. And no, this is Not Motumaster.
And then, there is Dua.
A beautiful voice, that of Meenal Jain, comes up to sing some words after a very light music and then a chorus, sorry, Joi, Raman and Amitabh join in to sing Sab sajde mein, sajde mein, sajde mein, dua karo, with Amit Trivedi turning the song into an anthem-ish style with that chorus and those army band style beats. Not exactly fresh, but effective nevertheless.
So overall, No One Killed Jessica is Good, and has things that you would like to have in an Amit Trivedi album, but then, beyond Dilli and Aetbaar, songs aren’t that fresh, and Aali re sounds like a failure at least for now. Still, will like to see how the song turns out with the video and more listening that is going to be there. So if you have hight hopes, you may be disappointed.
My say, buy the album for Dilli, its hardcore version and Aetbaar. And you will have two songs in bonus, even if you don’t count one. Dilli is the way to go, Sir Trivedi.
Band Baaja Baaraat is an album by Salim-Sulaiman after quite a long break, but the way the album starts, I just feel like they had never left, as the very first seconds sound so much like their typical. But then Salim starts singing, like some Labh Janjua, and gives quite a fast-track thing with Sunidhi Chauhan. One interesting thing about the song is that the background has some Amit Trivedi style band baaja effect though the song still sounds mostly Salim-Sulaiman composition as usual. Completely in sync with the movie’s name.
Tarkeebein, sung by Benny Dayaal, even though not bad, and quite good on lyrics, sounds quite a Pocket mein Rocket. Now all I’d say is that you have just two pockets. So even if this rocket can be adjusted, there is no room for more. 😉 Please get us something new, Merchants.
It’s Shreya Ghoshal. Saying this because when Adha Ishq starts you for once are quite convinced it’s Sunidhi. But it’s not, at least by the album cover. Frankly, I loved the song, and except that it’s almost Shukran Allah in the background, I think the song is just wonderful. Well done composers and awesome job Shreya. But Salim sir, try changing the voice a bit or change the styles, like you did in the title song. Will be liked more.
Dum Dum Dum mast, sung by Benny and Himani Kapoor is something I liked again. Though the composition is not huge, the simplicity and the simple highs and lows given to the melody are quite likeable. Except for that characteristic beat, the arrangement quite fine and the way the lyrics have been given an upper hand, it’s just beautiful, a good thing.
Mitra. Though I am a fan of many songs of his, Amitabh Bhattacharya for the first time sounds like a full fledged singer and I’d like to give the credit to Salim-Sulaiman, for giving him the beautiful song. Part sufi style, part rock, part typical merchants, Mitra is something that you’d like to listen to. Amitabh Bhattacharya almost goes into Shafqat Amanat Ali Khan way of singing here. Like like.
Labh Janjua’s name in Band Baaja Baaraat is something that people would just expect. Baari Barsi is something like what you would expect from the name, but not all that. The song is not all Punjabi style but also has some desi comic mode as well as Salim’s groove part. The highlight of the song is Harshdeep’s non-Harshdeep rendering in desi-mood, but somehow I felt she was given a bit too much time, in a very similar tone. Still, I have to see how much the song is liked in future, which will quite depend on the video.
Whatsay about the 2 minute theme of Band Baaja Baarat? Okay. Actually good. Quite.
Ainvayi, the first song, appears in a Dilli Club mix too, quite regular. Not bad though.
And the last thing, Dum Dum (Sufi Mix) is sung by Sukhwinder and Himani. Well, now I know I was right when I thought I could spot some Sukhwinder like voice in the original version. Well, a usual remix, and nothing Sufi about it, and almost nothing good, except Sukhwinder’s voice.
Overall, Band Baaja Baaraat sounds like a usual album in the series that YRF and Salim-Sulaiman have been creating for past some time. The songs are not bad, but then you won’t remember about most of them after a few days. Still, not a bad thing for short term. The only bad thing about the album is that Salim-Sulaiman, coming after such a long break too, sounded quite repetitive.
Best ones: Mitra, Aadha Ishq, Dum Dum.
Update: OK. It’s pocket mein Rocket but m loving it. especially for the lyrics. so add Tarkeebein too. Probably over dum dum.
It’s a small one, but definitely a good one. Udaan’s Nadi mein talab has some beautiful, inspiring lyrics coming from the pen of Amitabh Bhattacharya again. Here are the lyrics of the semi-rock song sung by Amit Trivedi, Joi Barua and Neuman Pinto.
Nadi mein talab hai, Kahin jo agar
Samandar kahan door hai
Damakti garaz hai, sone mein agar
To jalna bhi manzoor hai
Ik udaan kab talak yoon kaid rahegi
Roko na chhod do isse
Ik udaan hi sapno ko zindagi degi
Sapno se jod do isse
Continue reading “ik udaan kab talak qaid rahegi”
One of the most inspiring songs of Udaan is Geet mein dhalte lafzon mein, sung by composer-lyricist duo Amit-Amitabh. The song is simply some awesome poetry of Amitabh Bhattacharya and you can feel the zest in almost every line of the song. Be it a hardcore ‘haan ye umangon se phoola hua seena, lamha ye maanga nahi ise humne chheena hai,’ or a more Gulzar-ish ‘jebon mein hum raatein liye ghooma karen‘, the song never goes down a bit in enthusiasm.
So here are the lyrics of the full of life song, with all my wishes to Amitabh Bhattacharya and even Amit Trivedi.
Geet mein dhalte lafzon mein
Taal pe chalti nabzon mein
Naya kuchh naya to zaroor hai
Shaam se leke sehron mein
Dhoop jadi duphero mein
Naya kuchh naya to zaroor hai
Kya baat hai jo baat hai taaza lage
Zindagi ki nayi nayi faza lage o..
Haan yeh umango se phoola hua seena hai
Lamha yeh maanga nahi, isse humne chheena hai
Yunhi jeena hai
Continue reading “Naya Kuch Naya to Zaroor hai”
Naav or chadhti lehren laangh na paayen is probably the best song of Anurag Kashyap’s next production, Udaan, which has been composed by none other than Amit Trivedi and with lyrics of Amitabh Bhattacharya. The song, sung by Mohan, has a folkish touch and has Amit’s signature rock mood too. And somehow, I agree with my friend Dunkdaft who says the song reminds him of SD Burman too. Anyway, the song has some real good singing with some superb music but it’s the lyrics that I’m loving the most, so here are the lyrics of the song, as best as I could hear them.
chadhti lehren laangh na paayen kyun haanpti si naav hai teri naav hai teri
tinka tinka jod ke saanse kyun haanpti si naav hai teri naav hai teri
ulti behti dhaar hai bairi dhaar hai bairi
ulti behti dhaar hai bairi dhaar hai bairi
ke ab kuch kar ja re panthi..
jigar juta kya baat baandh le hai baat thehri jaan pe teri jaan pe teri
Haiya Ho Ki Taan Saath Le Jo Baat Tehri Jaan Pe Teri Shaan Pe Teri
Chal Jeet Jeet Lehra Parcham tu laal Phehra Ja
Ab Kar Ja Tu Ya Mar Ja Karle Taiyari
Udja Banke Dhoop Ka Panchi chura ke gehri chhaon Andheri Chaao Andheri
Tinka Tinka Joodle Saase Kyun Haanphti Si Naav Hai Teri
Rakh Dega JhakJhor ke tujhe
Tufano Ka Ghor Hai Dera Ghor Hai Dera
Bhanwar Se dar Jo Haar Maan Le
Kaheka Phir Jor Hai Tera Jor Hai Tera
Hai Dil Mei Roshni Tere
Tu Cheer Daal Sab Ghere
Lehron Ki Gardan Kas Ke
Daal Phande Re
Ki Dariyan Bole waaha Re Panthi
Saar Ankhon Pe Naav Hai Teri Naav Hai Teri
Chadti Lehren Laangh Na Paaye
Kyun Hanpti Si Naav Hai Teri Naav Hai Teri
Ulti Behti Dhaar Hai Bairi Dhaar Hai Bairi
Ulti Behti Dhaar Hai Bairi Dhaar Hai Bairi
Ke Ab Kuch Kar Ja Re panthi..
Update: Full meaning of the song is Here.
Amit Trivedi’s next is here. And since this one is him with his old group, that of Anurag Kashyap and others, things get even more interesting. Here is a music review of the album.
The first song of the album is, Aazadiyaan, the one we have been listening to, in the promos pf Udaan already on TV. But then, what we get in the promo is the end of the song, the start of the song comes a typical Amit Trivedi, though the music sounds quite like Jaane yeh kya hua of Karthik calling Karthik in the start. Lyrics of the song are really good and add to the quality of slightly rockish, good song.
Geet mein Dhalte Lafzon mein is sung by Amit and Amitabh, the composer-lyricist duo and sounds fresh. As the trend of the album builds up, one can easily see that the effect of rock can be seen pretty well on the album. Amit Trivedi seems to be having a good time with his signature rockish style of composing with added effects of soft vocals. But then, there is again those lyrics, dhool jami thi aankhon mein, khwaab khile ab laakhon mein, naya kuch naya to zaroor hai, dard ki baatein kal ki hain, aaj mein khushiyaan chhalki hai, jebon mein hum raatein liye ghooma karen, fursat ke ye mauke sabhi chooma karen. Listen to the song for those lyrics. Awesome words.
The next, aankhon ke pardon ke, or the other version of Kahani Khatm hai, is sung by Joi Barua (the Ek hulchul si guy) and Neuman Pinto. Keeps the album going in the same mood.
Mohan is someone big I don’t know. I remember the name from London Dreams where he sang Khanabadosh and this time he sings an even more awesome ‘Naav’, or Chadti Lehren Laangh na paayen. A song with Folk touch and composed by Amit Trivedi (I wonder if that is also becoming a type now) sounded really good to me even when I heard it for the first time. Go for this rock-folk.
Do we have the word Chorus anymore? I wonder the same as I read the names of the singers of Motumaster. Anyway, a masti-piece, sounding like part of college-students’-enjoyment in the context of the movie. Nothing serious here, and that is all that matters in the song.
Next in the album comes Nadi mein Talab hai, sung by Amit, Joi and Neuman, the song reminds one of Ek Hulchul si, with lyrics quite different than the mentioned. As the three sing ek udaan kab talak kaid rahegi, roko na chhod do ise, one is bound to feel the positivity of the lyrics. Good again.
The album ends with a ‘soft’ instrumental which, a bit surprisingly for me, showed no effect of rock and sounded like a heart to heart talk, after which you could let the album end and sleep peacefully. Or start again with Pairon ki bediyaan khwaabon ko baandhen nahi re…
In short, lovable album. Kinda typical stuff by Amit Trivedi, but not a thing I would call repetitive or can be disappointed with. Good music and Awesome lyrics. That makes Udaan. Go, fly.
PS: Finding the best of the song is really difficult, but I guess in terms of music ‘Naav’ is the best.
chhoti chhoti chhitrayi yaadein, bichhi hui hain lamhon ki lawn par, nange pair un par chalte chalte, itni door aa gaye hain, ki ab bhool gaye hain joote kahan utaare the.
I’ve been loving the dialogs and the song preview of Udaan. Amit Trivedi gives some good music again and Amitabh Bhattacharya’s lyrics are awesome. And then, the dialogs…
Here are the lyrics that I got from the theatrical trailer, read them, listen to them, love them.
kahani khatm hai, ya shuruaat hone ko hai
subah nayi hai ye, ya phir raat hone ko hai
aane wala waqt dega panaahen
ya phir se milenge doraahe
khabar kya, kya pata…
and an awesome end to the trailer with.. sach bhool gaye hain joote kahan utaare the, par lagta hai ab unki zaroorat nahi..
Housefull might not have turned so good as expected but Vivienne Pocha and Amitabh Bhattacharya’s ‘Loser’ is being loved in the movie. So here come the lyrics of the song. He’s such a Loser.
Haathon ki rekha isse rulayen, kisi rubber se mit na paayen
Life kuch bhi deti nahin hai, badle mein leti hi rahi hai
Such a panauti, such a panauti, duniya mein kahin dekha hi nahin
He’s such a loser, He’s such a loser (o yeah)
He’s such a, such a, such a, such a loser
He’s such a loser, He’s such a loser (o yeah)
He’s such a, such a, such a, such a loser
Continue reading “He’s Such a Loser – Housefull”
Amit Trivedi’s next. Oops! That must be big. But as I start listening to the album, I get a bit disappointed, because the poply popping Aasmaan ke paar chalo doesn’t sound all that good for the first time, and certainly not that Amit Trivedi’ish (Read Dev.D’ish). But after listening to the song quite a few times, one is bound to bounce on the beats of this number. It’s not a Trive.D song and does take some time to be liked. Some.
Continue reading “Admissions Open (Amit Trivedi): Music Review”
Housefull’s music is not great. It’s what it is supposed to be – Total Time Pass and Entertaining. Like it, love it, use it, throw it. Well, almost.
Continue reading “Housefull: Music Review (Shankar-Ehsaan-Loy)”