Kab tak ginen hum dhadkanein, dil jaise dhadke dhadakne do has that soul that is found in Shankar-Ehsaan-Loy-Farhan combos, that gives you the confidence to ‘do’ something, a Lakshya thing. Joi Barua sings for SEL in this one. Ik Junoon (Paint it Red) is a poppish one that goes to its limited highs in a way that it will be slowly, but highly addictive.
Khwabon ke Parindey has Alyssa singing a beautiful song in her sweet, eclectic voice, while Mohit supports her. Alyssa does a Caralisa in this one, almost going the Phir dekhiye style, though the song is slightly higher on notes compared to that one.
Senorita sung by Hrithik, Farhan, Abhay and Maria Del Mar Fernandez is gonna be the attraction of the album as the three actors seem to be doing good not only in singing but dancing as well. Lovely.
Shankar Mahadevan gives his first solo appearance in Der Lagi Lekin, Maine jeena seekh liya. I think the line says a lot about the song. Javed Akhtar’s positive lyrics have been sung by Shankar with all ease and in a way that the song appeals to you the very first time, to grow on you more, every time you listen to it. DO listen.
Loy, Dominique, Clinton Cerejo. You know what type the song is gonna be as soon as you read the names. A techno-techno Sooraj ki Baahon mein is nothing too new as far as arrangements are concerned, but the composition has got some simple-addictive-good beats and you learn four lines the first time you listen. You know what it means, don’t you? Hey Yeah!
In To Zinda ho tum. Farhan Akhtar renders his dad’s words as a poem with some music in the background, something that tends to inspire you, but though the words are good and well rendered, probably they are a bit too less. Could have been more, and thus better.
As for remixes, Ik Junoon remix is even more addictive than the actual song I guess, though Senorita Remix is not as interesting as the original.
Overall, ZNMD is something to celebrate, like you see in the movie. Do go for it. Shankar-Ehsaan-Loy are there again.